The Harry Hudson Rodmell Salver for Best Exhibit in the Exhibition & The Lady Strickland-Constable Trophy for Portraiture (human only)

awarded to Julie Gould for ‘The Journalist’ (oil)

 

The Singleton Rose Bowl, for most votes from visitors to the Exhibition

awarded to Pam Williams for her two paintings (receiving the same number of votes each) ‘Finding light in the dark’ and ‘Wild horses among reeds’

              

 

The Chris Caley Cup for a Still Life

awarded to Chris Caley for ‘Still Life with Sunhat’ (acrylic)

 

The Wynn Harrison Trophy for Flower Painting

awarded to Elspeth Scott for ‘Flowers & Strawberry Jug’ (watercolour & ink)

 

The Dick French Trophy for a Landscape

awarded to Larry Malkin for ‘Majorelle Gardens’ (acrylic)

 

The John Lloyd Harris Salver for an East Riding Scene

awarded to David Dawson for ‘Posterngate, Hull’ (oil)

 

The Molly & Frank Wainwright Trophy for A View of Hornsea

awarded to Julie Gould for ‘Chip Stop’ (oil)

 

The Eileen Meacock Memorial Trophy for Monochrome

awarded to Rosemary Robinson for ‘Hiraeth’ (Indian ink)

 

The Hornsea Art Society Award for Abstract & Contemporary

awarded to Lesley Webb for ‘Camouflage’ (textile)

 

The Phyllis Cox Trophy for Sculpture

awarded to Janet Pelling for ‘Girl with Kimono’ (clay & raku)

 

The Mally Simons Trophy for anything outside the listed categories

awarded to Gerry Leggett for ‘Meeting Paddington Bear’ (acrylic)

 

The Alan Marsh Memorial Trophy – 2025 designated theme ‘The Shape of Things to come’

awarded to Phil Hargreaves for ‘A Hard Rain is a Gonna Fall’ (collage)

 

The Catherine Hainsworth Award for Animals and Wildlife

awarded to Brian Steele for ‘Leveret’ (coloured pencils on duralar)

 

The Rod and Mavis Hardwick Memorial Trophy for Nostalgia

awarded to Alison Roberts for ‘Times Passed’ (pastel)